Well, it depends on what position or type of job a technician would want to do. Although all technical work has some basic elements that apply to all technicians, Big shows and little shows tend to offer different things for different people. If a technician likes to be in charge of things, work alone, or work with many different aspects of theatre technology, then smaller productions would probably be better suited for them. On the other hand, if they are specialized in their work, or like to work as part of a team, then bigger-scale theater might be their thing. Also, in terms of job stability, working as part of a big production tends to be more stable than working as the head technician of a smaller production. So that's another thing to consider.
Basically, a career in technical theatre doesn't really tend to move up any ladder. It all really depends on what the person wants to do. But whatever they do, the importance of their role in creating a theatrical spectacle can't be underestimated.
Here's just a little look into what they do:
(Look at 2:50-4:20; a clip from the musical Les Miserables)
"Big show, little show--which one's right for you?" Backstage Whispers.
Thestage.co.uk. Web. 9 Sept. 2013.
Youtube clip: http://www.youtube.com/watch?v=ln-7Rhuy-Gg
I think this video is helpful, but what about a "behind the scenes" video to really show the labor involved in being a lighting technician in theatre? Now you have me wondering: how much do these technicians make on average? Is there a big need for these jobs? Are they full-time?
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